Drill music emerged as an authentic form of expression within disadvantaged communities, reflecting the harsh realities of inner-city life, violence, and systemic injustice. Artists found solace in sharing their experiences, often describing the challenges they faced growing up in marginalized neighborhoods. The genre resonated with listeners who could relate to the struggles portrayed in the lyrics.
big corporations, seeking to exploit the popularity of drill music, engage in promotional strategies that perpetuate harmful stereotypes and, ultimately, contribute to the prison industrial complex. by glamorizing and capitalizing on the violent imagery portrayed in drill music, these corporations perpetuate a cycle of criminalization that disproportionately affects communities already facing socio-economic challenges.
To maximize profits, some big corporations allegedly encourage drill music artists to create provocative content that portrays criminal activities, violence, and other illegal behaviors. They capitalize on the controversy surrounding the genre, recognizing that sensationalized narratives generate more attention and drive sales. This approach, however, can perpetuate negative stereotypes and stigmatize entire communities.
The prison industrial complex refers to the network of private corporations, government institutions, and individuals that profit from the incarceration of individuals. by promoting drill music with its focus on criminal activities, big corporations indirectly contribute to the system’s expansion. They assert that the more the music glorifies violence and criminal behavior, the more individuals are funneled into the criminal justice system, resulting in increased profits for companies involved in private prisons, bail bonds, and related industries.
The alleged promotion of drill music by big corporations not only perpetuates negative stereotypes but also has significant consequences for affected communities. By commodifying and profiting from the harsh realities of marginalized neighborhoods, these corporations overlook the underlying social and economic issues that contribute to the cycle of violence. This further marginalizes already disadvantaged communities and hinders efforts to address the root causes of crime.
Over the past 10 years, the United States government has allocated substantial amounts of money towards its jail system. The expenditure on the correctional system has seen a significant upward trend during this period. In 2013, the government spent approximately $80 billion on jails, followed by an increase to $90 billion in 2014. The subsequent years continued to witness a rise in spending, with $100 billion in 2015 and $110 billion in 2016. In 2017, the budget allocation climbed to $120 billion, and in 2018, it reached $130 billion. The government’s spending on jails continued to surge, reaching $140 billion in 2019, $150 billion in 2020, and $160 billion in 2021. The most recent data available indicates that in 2022, the expenditure further increased to approximately $170 billion.
The difference between a conspiracy theory and a real story is facts, so how are big corporations actually promoting drill music but more in general Gang Culture?
This promotion is under our nose and its been there for time; Social media and influencer marketing, Live events and Festivals that are actually sponsored by big corporation with the excuse to entertain but the real aim of corrupting the young and malleable minds of the always more impressionable consumers.
the truth its all out there, its obvious for those who are ready to see, but in this time and age, not everybody wants to see.